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Jasmine Guffond's practice unfolds at the intersection of sound, technology, and the social sphere, where listening becomes an active, political act. Her work interrogates the algorithmic systems that quietly shape contemporary life, translating surveillance infrastructure and digital architectures into sonic compositions that invite audiences to attune to the hidden frequencies of their environment. Whether presented as live performance, installation, or recorded release, each piece functions as a form of deep attention, asking listeners to reconsider the relationship between their ears, their bodies, and the technological fabric that surrounds them.
The artist's ongoing engagement with Berlin's experimental music scene has produced a body of work spanning drone-based compositions, field recordings, and collaborative interventions. Her recordings often emerge from extended processes of listening to specific places and systems, transforming incidental sounds into sustained tonal explorations that reveal the texture of urban and digital environments. These works circulate through concerts, festivals, and releases, each iteration offering a different entry point into her sustained investigation of how sound can expose the invisible operations of power embedded in everyday technologies.
Live performance remains central to Guffond's approach, with presentations that range from intimate concert settings to site-specific interventions in public and institutional spaces. Her performances frequently incorporate real-time processing and responsive elements, creating environments where the boundaries between performer, audience, and acoustic space blur. Recent projects have explored themes of memory, movement, and the built environment, drawing on archival material and incidental sounds to construct immersive sonic narratives that resonate with broader questions about perception, architecture, and the politics of public listening.
Collaboration and exchange form a vital thread throughout Guffond's work, connecting her to a wider network of artists, composers, and thinkers engaged with sound and its social implications. Through presentations, interviews, and joint projects, she contributes to an ongoing conversation about the role of experimental music in contemporary culture, particularly its capacity to address urgent social and political questions. For professional inquiries, collaborations, and commissions, the artist welcomes contact from curators, institutions, and fellow practitioners interested in exploring the intersections of sound, technology, and the social sphere.
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For professional inquiries regarding sound art commissions, performances, or collaborations, please use the email below.
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