Complete listing

All Releases

The discography of Jasmine Guffond, operating both under her own name and the alias Jasmina Maschina, traces a decade of evolving sound practice. From the mid-2000s onward, each release documents a deepening engagement with the textures of listening itself. The work moves through ambient drift, electro-acoustic precision, and moments of stark noise, always grounded in an intimate attention to sonic detail. These albums and series are not merely collections of tracks but carefully sequenced statements about how sound inhabits space and memory.

Released on the Berlin-based Sonic Pieces imprint, the album Yellow Bell stands as a particularly refined articulation of Guffond's aesthetic. Its delicate, immersive quality invites the listener into a hushed world of sustained tones and gentle percussive gestures. The restraint is deliberate, each sound allowed to breathe and decay naturally. This release exemplifies how Guffond transforms minimal materials into emotionally resonant experiences, drawing the ear into a state of heightened awareness where silence and sound share equal weight.

The Jasmina Maschina full-length Alphabet Dream Noise, issued by Staubgold, presents a contrasting but complementary sensibility. Here, the palette expands to include more abrasive elements, layering dense textures and fractured rhythms beneath melodic fragments. The album received critical attention from outlets attentive to experimental music's fringes, with reviewers noting its ability to balance structural rigor with unpredictable emotional currents. It remains a key document of Guffond's capacity to navigate between the beautiful and the unsettled.

Across these releases, recurring thematic concerns emerge: the politics of listening, the intersection of technology and subjective experience, and the relationship between urban environments and sonic perception. Guffond's work consistently interrogates how sound mediates our understanding of the social and technological systems we inhabit. Each album functions as both aesthetic object and critical inquiry, inviting audiences to consider the political dimensions of what they hear and how they hear it.

The span from 2008 to 2015 captures a period of significant creative development, yet the concerns of these early releases remain vital to Guffond's ongoing practice. Later projects exploring surveillance, algorithmic culture, and site-specific listening grow directly from seeds planted in these recordings. For listeners discovering this discography, the albums offer a map of an artist's deepening relationship with sound as material, as critique, and as a form of permanent listening.